扫一扫关注微信公众号
扫码用手机访问
HD
After going broke, Gwen Stevens is forced to return to her abandoned childhood home hoping to pick up the pieces of her life. Among the relics and memories of her past, she discovers someone is living in the house and they don't want to leave. In the New Mexico desert, miles from safety, Gwen must fight to protect the only thing she has left. Her life.
HD中字
量古生物学学家瑞克•马绍尔（威尔•法瑞尔 Will Ferrell 饰）提出了时光旅行的设想，并征得1500万美元的经费专门开发穿越时空的超光速粒子仪。然而公众对此并不买帐，反而对其大肆嘲笑和抨击。3年来，瑞克无奈窝在一所小学里教书，自暴自弃。某天，来自剑桥的美丽女子霍莉（安娜•弗莱尔 Anna Friel 饰）找到瑞克，她展示了一块不可思议的化石，以此鼓励瑞克继续他的研究。 重获信心的瑞克最终制造出超光速粒子仪，他和霍莉来到化石的发现地，准备进行时光旅行的测试。在有些神经质的威尔（丹尼•麦克布莱德 Danny McBride 饰）的带领下，他们划着皮筏漂流。不料一场强烈地震突然袭来，三人被狂卷的波涛带入一个未知的世界，一场充满惊险和刺激的探险就此展开……
HD
2023喜剧片
A 'Millennial Coming-of-Rage' story about a young woman who loses her job and struggles to pay rent - until she befriends a pickpocket who convinces her that the only way to survive in America is by committing petty crime.
HD
2022科幻片
Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?
Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?
Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.