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HD中字
1968剧情片
与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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该剧故事继续围绕在丧尸横行的世界中的幸存者们展开，聚焦丧尸末世后成长起来的第一代。
TC中字
2024剧情片
改遍自Jeff Hobbs的传记作品《The Short and Tragic Life of Robert Peace》这本书的主人公是一个新泽西州纽瓦克贫民窟里长大的男孩子，名叫罗伯特皮斯。他被耶鲁大学生物学专业录取，却在三十岁的时候，在贩毒帮派的斗殴中暴死街头。故事以罗伯特的耶鲁室友为叙述者，以旁观者的角度讲述了这个看似从原生阶级逆袭，而依然无法逃离悲剧命运的故事。The story of an inner-city Newark kid who attends Yale yet ultimately suc cumbs to harsh economic realities and the demons of his past.
HD
2016纪录片
An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.